Romeo e Giulia
Romeo e Giulia In collaboration with the Year 13 classes of the Checchi Institute At the centre of a makeshift marquee, halfway between a fairground, a circus and a party […]
Dog Tags
Dog Tags XIV International School of Performance “There is no art without a dance with death,” writes Kurt Vonnegut in *Slaughterhouse-Five*, one of the greatest anti-war novels of the 20th […]
La Memoria delle Cavallette
La Memoria delle Cavallette by and with Firenza Guidi inspired by letters written by those condemned to death during the Second World War. When21 August 2004 WhereMassarella – Fucecchio In […]
Bianco
Bianco XIII International School of Performance There is nothing left to eat, there is no water, there is no government, there are no hierarchies, there are no obligations, there is […]
The Frantoio: A Window on the World 2004-2007
The Frantoio: A Window on the World 2004-2007 After a ten-year journey, during which the workshops and creative activities of Firenza Guidi and ELAN were housed in various places and […]
Ecstasy
Ecstasy XII International School of Performance Ecstasy is a journey into the past, like an unknown continent. A map waiting to be discovered, a foreign geography written in characters that […]
Firenza Guidi and Josè Saramago
Firenza Guidi and Josè Saramago I can’t stop reading his books. It’s a kind of addiction. Like all inspirational writers, he breathes life and new ideas into you. With other […]
W₂oyzeck
W₂oyzeck XI International Performance School The performance is part of wwWoyzeck, an international season of research, training and production linking Fucecchio with Indianapolis (USA), Aberystwyth (Wales), Delhi, Kolkata, Bangalore and […]
Creatio: Creative Power Stations 2002–2004
Creatio: Creative Power Stations 2002-2004 ÓSMOS (from the Greek, impulse, push) COSMOS the world or universe as an orderly and systematic whole (opposed to Chaos). As with osmosis, creation process […]
The Theatre of Seduction 1999-2001
The Theatre of Seduction 1999-2001 After cycles of research on Desire and Memory as formative and expressive vehicles, a new chapter entitled The Theatre of Seduction begins. Attention turns, first […]